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Flemming Lassen brought warmth to modernism. His upholstered pieces softened the geometry of the era with comfort and emotion. Flemming Lassen (1902–1984) co-founded Danish functionalism alongside his brother Mogens. He believed design should make people feel at ease, both physically and emotionally. His curved sofas and armchairs, such as the Tired Man Chair, reflected this belief - merging modern form with human warmth. Lassen’s work remains celebrated for its balance of softness and structure.
A private retreat designed for the designer himself, and later, for the world. Flemming Lassen created My Own Chair in 1938 as a personal refuge, a seat that invited reflection, not display. With its rounded form and enveloping back, it turns structure into shelter. Upholstered in rich textiles or sheepskin, it became a modern archetype of comfort - a chair that feels less made, more found.
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Generous, whimsical and instantly comforting - a chair that feels like being held. When Flemming Lassen designed The Tired Man in 1935, he imagined a chair that felt like a warm embrace from a polar bear - enveloping, soft and impossible to leave. With its rounded arms, deep cushioning and gentle incline, it invites you to sink in and stay awhile. Upholstered in sheepskin or fabric and set on stout wooden legs, it carries mood and tenderness, capturing the human warmth at the heart of Danish modernism.
Read MoreWarmth in form, elegance in function – the Ingeborg Lounge Chair invites you in. Designed by Flemming Lassen, the Ingeborg Lounge Chair balances a rounded backrest and soft upholstery with slender wooden legs, creating a seat that feels intimate yet light. Compact in scale but expressive in form, it embodies comfort, elegance, and a humanistic approach to modern design. Today, the Ingeborg remains a timeless example of furniture that welcomes as much as it supports.
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