Flag Halyard Chair (PP225)

Steel, rope and sheepskin - an unlikely trio turned into one of Wegner’s boldest experiments in comfort. Born from a summer afternoon by the sea, the Flag Halyard Chair is Hans J. Wegner’s rebellion against convention. A stainless-steel frame holds hundreds of meters of hand-tied flag line, tensioned with the precision of ship rigging. Draped in long-haired sheepskin, it turns industrial material into invitation. Sculptural yet humane, this chair proves that Nordic modernism could be both raw and refined

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Circle Chair (PP130)

A circle that floats, a seat that embraces. Wegner’s late-career masterstroke in balance and grace. The Circle Chair transforms geometry into gentleness. Suspended in hand-woven cord, its broad wooden frame seems to hover in air, offering a sense of openness rare in lounge design. Every weave and joint is executed by hand, ensuring a seamless play between strength and suspension. Playful yet poised, the Circle Chair stands as Wegner’s meditation on lightness.

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The Round Chair (PP501/503)

A single seamless curve - sculpted for comfort, celebrated for history. Known today as The Chair or the Kennedy Chair, Wegner’s Round Chair distilled decades of Danish craftsmanship into one continuous gesture of wood and cane. Its silhouette - open, honest, and impossibly fluid - embodied everything modern design aspired to be. Chosen for the first televised U.S. presidential debate between John F. Kennedy and Richard Nixon in 1960, it proved that comfort and character could command a room without saying a word.

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Papa Bear Chair (PP19)

Poised, powerful and reassuring - a chair that holds you as much as it supports you. Introduced in 1951, the Papa Bear Chair was Hans J. Wegner’s answer to comfort with structure. Its generous arms, likened to a bear’s paws, give the piece its name and its sense of authority. Beneath the upholstered form lies a complex construction of solid wood, natural fibers and meticulous hand-stitching, shaped through more than a hundred precise steps. Every curve feels deliberate, every proportion measured. To sit in it is to understand why Wegner’s work endures - not as nostalgia, but as living craft.

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Bull Chair (PP518)

Strength in silhouette, poise in proportion - the Bull Chair commands without imposing. Named for its horn-shaped armrests, the Bull Chair channels power through restraint. Its sharp contours and solid frame suggest momentum, yet its balance ensures ease and stability. Every edge and curve is hand-finished to reveal the natural rhythm of the wood grain. The result is design distilled to confidence - functional sculpture that stands as a modern totem of strength.

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Valet Chair (pp250)

A chair with a secret - equal parts furniture, sculpture and daily ritual. Hans J. Wegner’s Valet Chair transforms habit into design. Its backrest folds into a coat hanger; its seat lifts to store pocket essentials. Carved from solid wood with seamless joinery, it turns the act of undressing into quiet theatre. Ingenious yet intimate, the Valet Chair is proof that the most practical ideas can also be the most poetic.

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